Trance 'til Dawn presents United Under Dance featuring Artic Moon

Trance 'til Dawn, the growing group of dance music enthusiasts, now positioned to also bring in to the country some of today's significant artists in this ever-evolving genre, brings us their first international dance act -- Artic Moon.

Artic Moon is known for his uplifting tunes and epic drops that go from 130 to 145 bpm. I am no dj/producer (or at least not yet) but with my observation of his tunes, that's my estimate of the bpm he is playing on. 

I celebrated with the pack leader Pat Santos together with the rest of this genre's enthusiasts and advocates. All I could remember were the thumping of beats, the enthralled mix of whirling synths, and people just raving, getting lifted into what we call a state of trance. 

There was even a time I was just in front of Artic Moon, jumping, staring at him, feeling his basslines, and in between that action I was able to take a quick snap of the guy.

Artic Moon in action on the deck of TIME in Manila (photo taken from my camera phone)

 Jase and I before the night went crazy (photo courtesy of Luther Abcede)

How was your Artic Moon experience?

Album Review: Alicia Keys - Girl On Fire

Alicia Keys is back with her fifth studio album Girl On Fire. The Alicia we find on Girl on Fire is much removed from how we left her on 2009’s The Element of Freedom, a rumination on the death of her grandmother and the break-up of a relationship. This album still remains my favourite and IMHO, the best AKeys work of her career.

Girl On Fire being the first album of her 30s, Keys is now married (to producer-rapper Swizz Beatz) and the proud mother of a young son. And understandably, the record takes this as its centre.

For all its big beats and stellar collaborations (and there are many: Frank Ocean, Emile Sandé, Darkchild, Babyface and Salaam Remi to name a few), the core of the album is Keys’ remarkable voice and simple songwriting.

The tone is set by the piano introduction, a sombre reflective piece, and then the defiant, nose-thumbing Brand New Me which makes Keys’ stance clear when she sings: “It’s been a while, I’m not who I was before.”

Girl on Fire is classic Keys at her most commercial that contains her signature vocal belts that catapulted her to superstardom.  The beautiful, sensual Fire We Make, a duet with Maxwell, is all muted horns and synth bass, a textbook quiet storm. The more you hear this track, the deeper you fall in love with it. Tears Always Win, co-written by Bruno Mars, is a convincing soul/gospel pastiche, played with a small band.

Not Even the King, written with Sandé, is probably the key track. Shorn of all bangs and crashes, it is a straightforward piano ballad, and although exploring the well-worn analogy of how being rich in love is better than all the world’s money (“Your arms around me / Worth more than a Kingdom”), it is strangely and sweetly affecting.

The credits say that Girl on Fire was “conceptualised and produced” by Keys. When you look at other artists of a similarity, you know that she hasn’t just dropped in to record with the latest producers.

As a result, Girl on Fire is a smart album, at the very least maintaining the high standards set on The Element of Freedom. It showcases her as a maturing performer and keeps her there or thereabouts alongside Beyoncé as the world’s leading contemporary stylist of mainstream RnB.

Noteworthy tracks include Girl On Fire, Brand New Me, Tears Always Win

Track listing


What say you?